Friday, 27 July 2018

New Nigerian fraud through olx

+234 807 330 7259 from this number I have received WhatsApp messages for purchasing items of olx, and asking my bank details. This Nigerian person said

Am Day Jonathan from USA Maryland wanting this item for my newly setup orphanage in Jalandhar, in India, which I will make payment via bank to bank to bank transfer into your account and I will offer you 24,000 rs including the shipment cost to my orphanage home.Let me know if you are okay with the deal before proceeding my friend.

So send me your bank account details including your ifsc code and email address so as my bank to send a copy of receipt to you too after making payment okay my friend.

Full name :

Bank name :

Acct no :

Ifsc code :

Email address :

Then I checked isd code found that this person from Nigeria, and asked him you are doing fraud, as soon as I sent this message he blocked me. Be aware. 

Thursday, 29 August 2013

MONEY IS ALMOST A NEGATIVE VALUE IN OUR FAMILY

MONEY IS ALMOST A NEGATIVE VALUE IN OUR FAMILY

 
er   Pallavi Sharda, 25, is an Australia-born
Indian, who harboured the dream of being in Bollywood right from her childhood. She is emotional and reacts quickly, though she tries to maintain a straight face, being trained as a lawyer. She is extremely close to her academic and independent family, but considers her brother her soulmate without whom she would often feel morose even as a kid. She just wants to make her parents proud and be able to hold her head high and is extremely proud that she bagged her role in the upcoming film Besharam
purely on merit. She is naturally happy but has a tendency to get into contemplative phases, where she will stare into space all by herself. Her parents always gave her a lot of space and respect and allowed her to take her decisions by herself. She loves baking for people and is known as the Bandra chaiwalli. She talks to Bombay Times about her Indian-Australian upbringing, her observation on her co-star Ranbir Kapoor and how the Indian-Australian issues were sensationalised by the Indian media. Excerpts:
Tell us about your background? We are Saraswat Brahmins. My father is originally from
Punjab and my mother from UP, but they both grew up in Delhi. They are both engineers from IIT and are now professors in Australia. Their romance was like 3 Idiots as my nanaji was a professor at IIT and my father was his junior, who fell in love with his daughter on the campus and married her. My mother’s family had migrated to the US and my father loved adventure and travel and moved to Australia, just after my brother was born. Even though my father was really sought after, he was always an academic soul. Money is almost a negative value in our family. Three years later I was born in Perth and grew up in Melbourne. My brother and I were also academically inclined and I finished school at 16, as I skipped a year due to a double promotion. I finished my double degree in Law and BA within four-and-a-half years instead of six, as I wanted to just come to India to be a part of Bollywood. From the time I could enunciate that word from my childhood, I had only dreamt of being a Bollywood actress.
Tell us about your life as an Australian Indian? I learnt Bharatnatyam since the age of three. Most parents would drag their kids to class. In my case, I would be dragging them to take me to class. I am a dancer before I am anything else. I grew up on Madhuri and Sridevi. After Lamhe, I was always known as Pallu the dancer. I later started teaching dance while studying. We learnt Hindi watching films. When you live abroad, you are more in touch with your roots. The Indian community is close-knit, your functions revolve around the same set of people and you have exposure to different Indian cultures. In Australia, I was the heralding Indian woman carrying my Indian culture everywhere. On my casual clothes day, I would wear a lehenga choli to school and would often wear a bindi to McDonalds.
How did you bag a role with a big star like Ranbir Kapoor? I have always been extremely independent. I travelled to Chennai alone at the age of 10 to learn dance at Kalakshetra. I went to school in Chennai for six months as that was my dad’s condition for allowing me to go to Chennai. I was this absurd child who regretted not being born in India and the Bollywood fantasy was too much inside me. Now I think it’s got balanced out as I live here. My mom, unlike other NRIs, would come to India three times a year being the head of South Asia relationship for her university and I would come with her. I travelled every nook and corner of the country. But the Bollywood dream never left me. I would watch films and come home and feel morose as I wanted to be a part of them. I had told everyone and, when I finally came, no one was surprised as it was inevitable. During my law internship, I only remember emailing pro
duction houses in India during my lunch hour. I was crazy and knew I had to do it, as I would otherwise regret it for the rest of my life. I just wanted to dance in films. I was 21 when I first came here. I did a bit of theatre and was a lead actress in Vaibhavi Merchant’s musical Taj Express due to my dance. I did a small film called Dus Tola with Manoj Bajpayee. I did not want to become a famous actress, I just wanted to work. I also did a small role in Love Breakups Zindagi and an Australian film. I always knew that I am hardworking, passionate and knew dance, but did not know how to navigate my life in Bollywood. Abhinav Kashyap met me at a screening and two months later I got a call to audition for Besharam. He told me, ‘It’s a fair game. You audition. If you are good, we take it forward.’ It’s rare to be made to feel that way and I respect him because of the way he believes in merit. After several rounds of audition, I was selected.
How was the experience of working with Ranbir? I was so ecstatic on my way back after being selected in a Ranbir film that I put on blasting music in my car. I had never dreamt of walking a red carpet. My dream had only been to be in a khet dancing, wearing a salwar kameez with a hero singing to me. Ranbir is very supportive and a fabulous actor. He was really focused on the set and just remained in his character. I would observe him on what he would do between shots.
For instance, there is a scene where there is tension between our characters and he had to be a bit awkward and fidgety. Between shots, he kept playing with a piece of paper to remain fidgety.
Is Melbourne back to being safe for Indian tourists and students? I remember when I came to Mumbai, I said, ‘Namaste aunty’ and they made me feel I had said something so tacky. I was considered backward and I called my mom to say, ‘You made me a villager.’ But I
still do that, as it reminds me of my roots and makes me feel nostalgic about the way I grew up. In Melbourne, I could be so Indian and Australian at the same time and have no qualms about my heritage. What was carried in Indian media was sensational. My mother would hold a Diwali dinner for all the Indian students in our house and would provide pastoral care to them as they were immigrants. So when I heard about this disharmony, where I had grown up in so much harmony and been given the freedom to live as an Indian-Australian, it bothered me and I went back to see if it was true. If you have a sudden jump in the number of immigrants in any society, there are issues, but those are only teething problems. It is peaceful today. Melbourne is a multicultural place. I was the ambassador for Australia last year, as the High Commission felt I stood for Indian culture, having been a young leader in many walks of life and a role model to Indians in Australia through my dance. I am known within the Indian community there. I went home this time in May and the reaction of the Indian public was so overwhelming. I cried meeting all my uncles and aunties. I knew that it was the dandiya nights and the chana jor garam nights they had organised that had made me realise how much I loved Indian dance and music. And that is probably how I have been able to play the role of Tara in Besharam, who is a very Indian girl who never left India.

Pallavi Sharda


Pallavi Sharda

Pallavi with her parents and brother

We miss Sanju a lot:Apoorva Lakhia



    Sanjay Dutt was extremely tense before surrendering himself to the authorities in May, but that did not stop the actor from living up to his professional commitments. Just two days before his arrest, the actor completed the dubbing for Zanjeer from his home itself.
    Director Apoorva Lakhia says that Dutt’s commitment to his work, even at that crucial moment, had left his team dumbfounded. “When the verdict was first announced, he assured us that no matter what happened, none of his films would suffer. And he lived up to his word. It was awesome just to watch him go about doing his work despite the storm,” says Lakhia.
    Dutt plays Sher Khan, a role essayed by the late Pran in the original. Lakhia adds, “I still remember when we offered him the role of Sher Khan, he was so excited. He has portrayed it with
full passion. The entire team wanted him to be there during the release of the film. We miss Sanju a lot.”
    Priyanka Chopra says, “I’ve been a huge fan of Sanju sir. He has been an integral part of the film, adding his own brand to the character. I wish him and his family strength and courage.”
    Zanjeer, produced by Reliance Entertainment, Puneet Prakash Mehra, Sumeet Prakash Mehra and Flying Turtle Films, releases September 6.


Apoorva Lakhia


Sanjay Dutt in Zanjeer

Thursday, 16 May 2013

I don’t think I can be a part of Golmaal again: Sharman


I don’t think I can be a part of Golmaal again: Sharman


    Bombay Times met Sharman Joshi on the set of War Chod Na Yaar in Rajasthan where he spoke on on various topics, the most prominent being his relationship with Rohit Shetty’s Golmaal franchise. Owing to date issues, the actor was replaced by Shreyas Talpade in Golmaal Returns. Given the popularity of the franchise, we asked if Sharman would want to go back to the comic series. He said, “Golmaal is not the kind of genre I wanted to continue doing. I don’t have an issue with comedy, but as an actor, I had already explored that particular space in the first film. It wasn’t exciting for me anymore. Every project that I pick should pose a new challenge for me. I don’t think I can be a part of Golmaal again. I had fun shooting for it but I want to do something else now. Rohit is a big director. If he chooses me to be a part of a new project I will be more than honoured.”

Sharman Joshi

Kiran Rao calls Avantika Bahurani


Kiran Rao calls Avantika Bahurani



    For the longest time, everyone spoke of how the Bachchan parivaar addressed their daughter-in-law Aishwarya Rai Bachchan as bahurani. They also affectionately referred to her as pari (fairy) on occasion. Now, we have another bahurani in BTown. Kiran Rao, Aamir Khan’s wife calls Avantika Malik, Imran Khan’s wife as bahurani. 
    When Kiran visits Imran’s residence, the first thing she asks the domestic help is whether bahurani is around. And Avantika loves it.

Avantika Malik


Kiran Rao

Sunny’s ‘bucketful’ of humour


Sunny’s ‘bucketful’ of humour



    Sunny Deol doesn’t believe in taking small pegs. Instead he prefers drinking bucketful of whisky. No, don’t get misled, this is only for his character Paramveer Singh Dhillon in Sangeeth Sivan directed Yamla, Pagla Deewana 2, which is 
touted as a ‘whisky comedy’. Sunny is a teetotaler in real life. 
    Says Sunny, “I don’t drink or smoke, and yet, it's funny that I have played many characters who do that otherwise. It’s our job as actors to portray the characters we are given.” He adds, “The balti scene comes in a song. 
Paramveer had done it in the original, so we are carrying his signature style forward.” 
    While Sunny’s character is always seen drinking milk, there’s a twist in the tale as he is forced to take to liquor. And the makers are sure the audience will roll with laughter when Sunny is shown drinking from not one but two buckets this time round. And the hilarious dialogue — ‘Jatt Risky After Balti Whisky’ will continue to tickle people’s funny bones. Talking about this scene, his co-star Neha Sharma says, “It is a classic moment sure to make 
the audience break into laughter.” 
    The music video also features Dharmendra, Bobby Deol, Neha Sharma, Kristina Akheeva and Annu Kapoor. 
    Yamla Pagla Deewana 2, produced by Sunny Sounds Pvt Ltd & YPD Films Ltd UK, releases June 7.

Sunny Deol in Yamla Pagla Deewana 2

New Ash in Sonam’s life


New Ash in Sonam’s life



    Sonam Kapoor and Aishwarya Rai Bachchan are the ambassadors for the same brand. But they are at best cordial with one another. So when Sonam keeps dropping Aishwarya’s name in every alternate sentence, you start wondering, who she is talking about. Till you realise that the star-beti is talking about Rajinikanth’s daughter Aishwarya, wife of her Raanjhana co-star Dhanush. 
    And to think, one almost got fooled into believing that suddenly the original Ash and Sonam had rediscovered one another.

Sonam Kapoor


Aishwarya Rajinikanth


Aishwarya Rai Bachchan